Pierre Jeanneret PJ-SI-24-A Square Stool / Authentic Mid-Century Modern

All massive wood parts are authentic. They are done in Indian teak. Rich in texture, the wood is vivid and comes in chocolate colour. The surface is treated with shellac and there are several layers of original shellac. It provides smooth irregular gloss different from that of the sterile lacquerware nowadays. Charming irregularities show that each piece is unique. The legs are narrow at their base and get wider as they are closer to the seat, which is slightly curved. This ensures a more comfortable sitting.

The surface of the seat is done in cane. Contrasting the massive wooden parts, which frame it nicely, cane expresses a lightness with its transparency. The geometrical patterns of the canework create a charming shadowscape. We do the caning like it was done in Chandigarh. We use durable and thicker cane.

I think the piece blends well with many interior styles. It can support pure, modern aesthetics by giving them a warmer character with its natural materials and warm colours. As a stool, it can be fitted in any interior space, as its functions are various.

P! Galerie’s selection is mainly focused on rare French mid-century modern design artefacts by Pierre Jeanneret, Jean Prouvé, Le Corbusier, and Charlotte Perriand. Artefacts from our carefully curated collection are handpicked, and all traces and important indicators of authenticity are evaluated professionally. We try to preserve as much of patina as possible during the process of restoration, as it defines these historic pieces. Each object comes with a certificate of authenticity, offering you the opportunity to own a valuable artefact originating from a UNESCO-designated World Heritage Site. Not only do we cooperate with museums and offer auction houses our services and expert opinion, we also look forward to welcoming you as a private collector and connoisseur.

Literature:

Eric Touchaleaume and Gerald Moreau, Le Corbusier Pierre Jeanneret: The Indian Adventure, Design-Art-Architecture, (Paris: Gourcuff Gradenigo, 2011), 560.